The inclusion of an XLR input is what sets it apart here. Rode also offers a shock mount, available separately, which will further help when seeking isolation from wobbly desks or mic stands. It’s not a mic we’d want to be hand-holding for any length of time though, so a desk mount or boom arm would be wise purchases. To hold, the Procaster has a pleasing heft to it thanks to its all-metal construction. Performance here is aided by an internal pop-shield, however we’d always advise on the use of an external pop filter just to be safe. You also talk directly into the top of the mic, rather than the side, despite how it may appear at first. The cardioid pickup pattern offers 180 degrees of rejection, so it’s best suited to directional use, specifically in front of one voice rather than many at a time. The Podcaster, on the other hand, is much more plug-and-play and so therefore doesn’t require extra equipment or technical knowledge. There are clear benefits to this, which we’ll address later. The Procaster is aimed more at a broadcast audience, who are more likely to have the required extras – audio interface or mixer – you’ll need to connect it. It’s clever of Rode you essentially get the same microphone and make it fit your workflow, not the other way around. The Rode Podcaster, on the other hand, shares many of the same characteristics, only it opts for a USB connection instead of the Procaster’s XLR connection.
The Rode Procaster itself is a dynamic mic, with a cardioid pickup pattern making it ideal for solo speech. It’s actually part of a wider family of mics from Rode, all aimed at podcast and broadcast creators.
Where other mics will market themselves as being suited to anything, Rode is quite clear that the Procaster is designed specifically with speech in mind. We also take strong consideration into any suggestions you send to us, so let us know.Today’s mic, the Rode Procaster, is a perfect example. We're always eager to hear how our suggestions work out for you, and it helps us tweak our content for future readers. If you go ahead and purchase one of the suggested choices, let us know in the comments below. To learn more about podcasts, read our guide for recording podcasts. It’s not as beautiful sounding as the Shure SM7B, which can double as a vocal microphone, but you don’t need the best right off the bat. It’s moderately priced, offers USB connection, and sounds great. That being said, starting with one of our more modest options will get you far.įor many, using something like the Blue Yeti as a starting point is going to be highly advantageous.
RODE MICROPHONE PODCAST PROFESSIONAL
The options on this list vary greatly in cost, and going with a more high-end choice can give you that professional sound you're looking for. So, let's find the best microphone for podcasting!īy now, you should have an idea of the best microphone for podcasting. Our list contains a huge variety of options, whether you're looking for the most professional equipment or even something portable. We're going to start by running you through the list of our favorite picks, and then we'll dive into the details of each one. The microphones on this list are great for speech, but most are incredibly versatile. Whether you're just starting and don't want to spend a lot, or you're going all in, we have options that range in price.
RODE MICROPHONE PODCAST HOW TO
The team here at Musician Nerd knows a lot about how to record a podcast, and because of this, we were able to compile a list of the very best microphones for podcasting on the market. So how can you find the best microphone for podcasting? The odds are you're not an expert on audio equipment, and if you were, you probably wouldn't be reading this right now. Starting your podcast is a fantastic accomplishment but finding the perfect microphone for podcasting is easier said than done.
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